Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Jane and Teddy are on the brink of divorce – but when their marital problems come to a sticking point, they have an unexpected breakthrough.

Jane and Teddy are on the brink of divorce – but when their marital problems come to a sticking point, they have an unexpected breakthrough.

A mysterious mathematical formula accidentally took Lin Chaoqi to a parallel world when she was 13 years old. In this strange adventure, with the previous years of accumulated experience in the Olympiad competition Lin Chaoqi with a buff suddenly found that those who had let down the time, abandoned beliefs, unfinished dreams, missed ties, and even her father's incurable disease, as she enters this alternate universe, everything can be made up for. Even those who have the worst possible starting point, there is still infinite possibilities.

Looks at Mozart's extraordinary short life and revolutionary music through a distinctive mix of costume drama and documentary.

In this fairytale-like melodrama, Choi Kang-ju is engaged to an eligible young lady from a small southern island, Doo Rim. But, there's one problem: the first bride of the family's first son is always cursed to die.

Rookie policeman Shing (Louis Koo) grapples with right and wrong in this action-packed story about Hong Kong gangsters. Assigned to go undercover, Shing is so successful in playing the part of a gang member that he becomes right-hand man to gang leader Fei Ling (Andy Lau). Shing comes to respect Fei Ling and question his original motives, but the troubled cop must make a crucial decision before rival gangs and impatient cops move in for the kill.

$ale of the Century was an Australian game show that aired on the Nine Network from 14 July 1980 – 29 November 2001. Tony Barber hosted a game show with essentially the same format under the title Temptation from 1970 to 1976, and was also the initial host of Sale for over a decade before being replaced by Glenn Ridge in 1991. Hostesses over the years have included Victoria Nicholls, Delvene Delaney, Alyce Platt, Jo Bailey, Nicky Buckley and Karina Brown. Pete Smith was Sale's announcer for the majority of its run. Ron Neate was announcer for only the first ten episodes in 1980 before Smith took over.From 30 May 2005 – 23 January 2009, the series was revived under its original Australian title, Temptation.The Sale of the Century format has been used internationally.

An intricately put together story that brings to the screen Korea's most sensitive issues. Through the lives of various Seoulites, the film features an unfettered look into Korea's modern society by presenting them into four chapters - Moratorium, Amorality, Moral Hazard, and Y2K.

一对兄妹在与父母度假期间，承担起了国家安全相关的秘密任务。